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Kaufman, Robert Benchley, and even Harpo Marx. The collective included the likes of Dorothy Parker, George S. Ross was a member of the famed Algonquin Round Table, a group of writers who regularly met at the Algonquin Hotel in Manhattan. He started the magazine with his wife, Jane Grant, in 1925 and served as its boss until his death in 1951. One of them, Bill Murray, plays The French Dispatch founder and editor-in-chief Arthur Howitzer Jr., who is based on the true New Yorker co-founder and editor-in-chief Harold Ross.
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The cast of the movie is overflowing with Hollywood stars, including many of Anderson’s regulars. Watch the trailer for The French Dispatch:Īs we prepare for the release of The French Dispatch later this year, here is a look at the true stories and people that influenced the film: Bill Murray as the Obsessive Editor Perhaps still so on the second and third.” It’s nearly impossible to follow everything on the first watch.
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She rattles off mini-biographies, local histories, and statistics seemingly pulled out of a hat in a sheer fit of delight. “In pique Wes Anderson fashion, a narrator (voiced by Anjelica Huston) reads us through the articles at a silly rate. And it presents a collection of stories, some of which are inspired by the editors, reporters, and writing of The New Yorker.įrom our review out of Cannes, written by Luke Hicks: The new movie centers on a team of American journalists at the titular France-based periodical. His love for the magazine forms the basis of The French Dispatch, a fresh and spectacular mid-career work from the master of quirk. It should come as no surprise to anyone that Wes Anderson is an admirer of The New Yorker. A fascination with the kind of high-brow culture and style chronicled in the magazine runs through Anderson’s movies. This installment focuses on the true New Yorker stories, editors, and reporters that inspired Wes Anderson’s The French Dispatch.
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Real Stories is an ongoing column about the true stories behind movies and TV shows.